Received ebook ARC from publisher via NetGalley.
Release date: September 3, 2013
I have to admit, I did not know much about World War I or it’s causes. For starters, I don’t have much interest in military history and the First World War is often eclipsed by the infamous Second. To me, WWI was just an event that took place between the Victorian area and the Depression. I did not have any living relatives who fought in WWI like I do with WWII. While I had some vague knowledge of it involving the three ruling cousins of Britain, Germany, and Russia, as well as the assassination of Franz Ferdinand, I didn’t know much more beyond that. I knew more about the Scottish band named after him than I did of Franz Ferdinand himself.
This book appealed to me because its goal was to examine Franz Ferdinand’s personal life rather than focusing entirely on the politics; without the human side of history, a book will struggle to hold my attention. Beautifully written and easy to follow even if you’re somewhat new to the subject matter, this book accomplished its goal effortlessly. From what I could gather, the author’s sympathetic approach is new and unique and earned it the exclusive approval of many descendants of Franz Ferdinand. Although it paints Sophie as something of a saint, never putting a foot wrong and retaining her tact and dignity in the face of harsh and unfair disrespect and elitism, it is honest about Franz’s shortcomings, mainly that he lacked charm and had a temper only Sophie could calm. Both were attentive and loving parents, raising children who, just like Sophie, had better manners and more class than those of higher rank who constantly sought to remind them of their place.
The politics leading up to the war certainly weren’t left out and strongly addressed in the latter half of the book but the human touch of this really brought this tragic family’s story to life.
Saturday, August 31, 2013
Sunday, August 25, 2013
Review: The Passing Bells (Greville Family #1) by Philip Rock
This is the original Downton Abbey. In fact, I’d be very surprised if the creator of Downton, Julian Fellows, hasn’t read this and taken some inspiration from it. The time period and setting, particularly in the first third before the war begins, is precisely like Downton and there are notable parallels among some of the large cast of characters, both upstairs and down.
Much like the Earl of Grantham, Anthony Greville, Earl of Stanmore, is expectedly traditional and struggled to adapt to the changing ways of the world. We soon learn his wife, just like Cora Crawley, is a wealthy American, and that their marriage was a love match. Unlike Robert Crawley though, Anthony doesn’t have to worry about who will inherit his title and home since he has more than one son and a spirited daughter.
Downstairs, we learn that the stiff valet, who could be Mr. Carson’s twin, doesn’t approve of the young, new chauffeur who is perhaps a mix of Downton’s two Toms (Thomas Barrow and Tom Branson). In fact, most of the staff bristle at the chauffeur’s boastful nature, except the new, wide-eyed and bushy-tailed maid who is much like Daisy.
What sets it apart from Downton is that the Greville’s story deals much more with War World I, taking us to the trenches and hospitals on the war front. Downton is strictly about the ongoings at Downton, Passing Bells is more of a WWI novel. It’s really about how the war effects and changes the lives of the many people connected by this great house. Additionally, one thing Abington Pryory is missing is their own Violet Crawley and therefore much of the humor she brings to the TV show is also absent. On the other hand, Passing Bells has a valuable addition in the form of an American cousin who spends time on the front lines as a journalist, giving us an American perspective of the war too.
Still, it will certainly appeal to Downton fans and I highly recommend it to anyone suffering from Downton withdraw during the off season.
Much like the Earl of Grantham, Anthony Greville, Earl of Stanmore, is expectedly traditional and struggled to adapt to the changing ways of the world. We soon learn his wife, just like Cora Crawley, is a wealthy American, and that their marriage was a love match. Unlike Robert Crawley though, Anthony doesn’t have to worry about who will inherit his title and home since he has more than one son and a spirited daughter.
Downstairs, we learn that the stiff valet, who could be Mr. Carson’s twin, doesn’t approve of the young, new chauffeur who is perhaps a mix of Downton’s two Toms (Thomas Barrow and Tom Branson). In fact, most of the staff bristle at the chauffeur’s boastful nature, except the new, wide-eyed and bushy-tailed maid who is much like Daisy.
What sets it apart from Downton is that the Greville’s story deals much more with War World I, taking us to the trenches and hospitals on the war front. Downton is strictly about the ongoings at Downton, Passing Bells is more of a WWI novel. It’s really about how the war effects and changes the lives of the many people connected by this great house. Additionally, one thing Abington Pryory is missing is their own Violet Crawley and therefore much of the humor she brings to the TV show is also absent. On the other hand, Passing Bells has a valuable addition in the form of an American cousin who spends time on the front lines as a journalist, giving us an American perspective of the war too.
Still, it will certainly appeal to Downton fans and I highly recommend it to anyone suffering from Downton withdraw during the off season.
Tuesday, August 13, 2013
Review: The Iron King (The Accursed Kings #1) by Maurice Druon
A novel of Philip the Fair of France and the scandalous and violence of his court, first book in The Accursed Kings series about the Capets.
“If you like A Song of Ice and Fire, you will love The Accursed Kings” - George R.R. Martin.
You can imagine my excitement. A Foreward written by one of my favorite authors explaining how this series was one of his inspirations for possibly my favorite series ever.
I don’t know if it’s because this is a translation or if it’s because it was written nearly 60 years ago, or perhaps both, but I found the writing style and dialogue very stiff. The narrative even reads more like a history book at times - very matter-of-fact. I think this was an even bigger let down because of the hype around it, not only revered by readers but recommended by George R.R. Martin. Most of the criticism seems to be from GRRM fans who, like me, picked it up on the back of his recommendation, but it’s important to note that it’s the plot content, not the writing style, which is “Game of Thrones-like”. Don’t expect this to have Martin’s narrative. However, I also read a lot of historical fiction about royalty so this should have been right up my alley even if Martin had never spoken a word about it so it’s not just the comparison to ASOIAF which is causing this to be a disappointment.
I did see some of the influence it may have had on Martin's series though, mostly in the characters, so that is saying something. Isabella reminded me a little of Cersei sometimes, though not nearly as evil. But if I had to recommend something similar to ASOIAF, I'd probably go with any of Bernard Cornwell's medieval based novels/series. Though his cast of characters is not as extensive, his portrayal of the medieval world is very similar, as is his sense of humor. Apparently the two authors are good friends as well.
There is a great story here, if you’re willing to get passed the methodical style of the narrative and dialogue. Those who are used to Jean Plaidy’s writing style, for example, might get on board with this easily (evidence that it has something to do with being written in the 1950s) - and I have been able to enjoy Plaidy’s work so I feel a little hypocritical given this a lower rating. But after my anticipation was so high, this was a greater let down.
I would have liked to see what a more modern translator could do with this, since I’m pretty sure it’s just been reissued as it was at the time of the last release and not re-translated.
“If you like A Song of Ice and Fire, you will love The Accursed Kings” - George R.R. Martin.
You can imagine my excitement. A Foreward written by one of my favorite authors explaining how this series was one of his inspirations for possibly my favorite series ever.
I don’t know if it’s because this is a translation or if it’s because it was written nearly 60 years ago, or perhaps both, but I found the writing style and dialogue very stiff. The narrative even reads more like a history book at times - very matter-of-fact. I think this was an even bigger let down because of the hype around it, not only revered by readers but recommended by George R.R. Martin. Most of the criticism seems to be from GRRM fans who, like me, picked it up on the back of his recommendation, but it’s important to note that it’s the plot content, not the writing style, which is “Game of Thrones-like”. Don’t expect this to have Martin’s narrative. However, I also read a lot of historical fiction about royalty so this should have been right up my alley even if Martin had never spoken a word about it so it’s not just the comparison to ASOIAF which is causing this to be a disappointment.
I did see some of the influence it may have had on Martin's series though, mostly in the characters, so that is saying something. Isabella reminded me a little of Cersei sometimes, though not nearly as evil. But if I had to recommend something similar to ASOIAF, I'd probably go with any of Bernard Cornwell's medieval based novels/series. Though his cast of characters is not as extensive, his portrayal of the medieval world is very similar, as is his sense of humor. Apparently the two authors are good friends as well.
There is a great story here, if you’re willing to get passed the methodical style of the narrative and dialogue. Those who are used to Jean Plaidy’s writing style, for example, might get on board with this easily (evidence that it has something to do with being written in the 1950s) - and I have been able to enjoy Plaidy’s work so I feel a little hypocritical given this a lower rating. But after my anticipation was so high, this was a greater let down.
I would have liked to see what a more modern translator could do with this, since I’m pretty sure it’s just been reissued as it was at the time of the last release and not re-translated.
Wednesday, August 7, 2013
Review: Hild by Nicola Griffith
Received ARC from publisher via NetGalley.
Release date: November 12, 2013
A novel of the early life of Hilda of Whitby, Christian saint, founding abbess of the monastery of Whitby, and niece of King Edwin of Northumbria.
What attracted me to this novel was the fact that it’s written about a rather obscure time period. I love novels that introduce me to a lesser known part of history and make it feel more familiar to me. And when I open a book set in Anglo-Saxon England, I want it to feel distinctly different from the more stereotypical idea we have of the medieval world, which is usually of the high to late middle ages. It should reflect that this is pre-Norman Conquest.
Griffith did not let me down in this regard. Her narrative and historical knowledge made the period feel completely different from our own, to the point where she may have actually gone a little too far and so I had really mixed feelings about this book. Griffith does not spend a lot of time overtly explaining who’s who or what’s what - a lot of the history has to be worked out by the reader as the story progresses. Equally, there are a lot of Anglo-Saxon words that many readers may not be familiar with and though sometimes the context gives you a vague idea of what it means, if you want to know more, you’ll have to check the glossary or google it. On one hand, I can appreciate this because often, an obvious explanation can feel too much like an anachronistic narrative. However, taking this too far can make it too difficult to read and sometimes I felt like I was spending more time googling Old English words than reading the book (because the glossary was difficult to access in the ebook ARC - additionally, not every Old English word is included in the glossary!). I especially found it unnecessary when the word has a known modern equivalent - such as the use of “ælf” when “elf”, “fairy” or “nymph” could have just as easily been used. When the author was describing an Anglo-Saxon concept that does not have a modern name, it’s more understandable - but using Old English words when it’s completely unnecessary just came across as the author showing off or trying too hard to prove herself by throwing in so many words most readers won’t know.
Scene descriptions were very detailed which many people will love but for me, that made it drag a bit at times. Yes, a certain amount of scene setting and world building is necessary but there is such thing as too much of a good thing. I can enjoy a slow paced novel but this just dragged in too many places.
The characters and their interactions were the best part of this novel for me but it just got bogged down by these other things.
Release date: November 12, 2013
A novel of the early life of Hilda of Whitby, Christian saint, founding abbess of the monastery of Whitby, and niece of King Edwin of Northumbria.
What attracted me to this novel was the fact that it’s written about a rather obscure time period. I love novels that introduce me to a lesser known part of history and make it feel more familiar to me. And when I open a book set in Anglo-Saxon England, I want it to feel distinctly different from the more stereotypical idea we have of the medieval world, which is usually of the high to late middle ages. It should reflect that this is pre-Norman Conquest.
Griffith did not let me down in this regard. Her narrative and historical knowledge made the period feel completely different from our own, to the point where she may have actually gone a little too far and so I had really mixed feelings about this book. Griffith does not spend a lot of time overtly explaining who’s who or what’s what - a lot of the history has to be worked out by the reader as the story progresses. Equally, there are a lot of Anglo-Saxon words that many readers may not be familiar with and though sometimes the context gives you a vague idea of what it means, if you want to know more, you’ll have to check the glossary or google it. On one hand, I can appreciate this because often, an obvious explanation can feel too much like an anachronistic narrative. However, taking this too far can make it too difficult to read and sometimes I felt like I was spending more time googling Old English words than reading the book (because the glossary was difficult to access in the ebook ARC - additionally, not every Old English word is included in the glossary!). I especially found it unnecessary when the word has a known modern equivalent - such as the use of “ælf” when “elf”, “fairy” or “nymph” could have just as easily been used. When the author was describing an Anglo-Saxon concept that does not have a modern name, it’s more understandable - but using Old English words when it’s completely unnecessary just came across as the author showing off or trying too hard to prove herself by throwing in so many words most readers won’t know.
Scene descriptions were very detailed which many people will love but for me, that made it drag a bit at times. Yes, a certain amount of scene setting and world building is necessary but there is such thing as too much of a good thing. I can enjoy a slow paced novel but this just dragged in too many places.
The characters and their interactions were the best part of this novel for me but it just got bogged down by these other things.
Tuesday, July 23, 2013
Review: The Outcasts by Kathleen Kent
Received ARC from the publisher via NetGalley.
Book description:
It's the 19th century on the Gulf Coast, a time of opportunity and lawlessness. After escaping the Texas brothel where she'd been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate's buried treasure.
Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who--if anyone--will survive when their paths finally cross?
As Lucinda and Nate's stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.
Review:
Another excellently written novel from Kathleen Kent. I think what I really enjoy about her books is her character development and complex relationships between her characters. This one is faster paced than The Heretic’s Daughter and is accurately described as a “thriller” but neither the character development or historical setting suffer for it. There are several twists and turns in the plot and I found it very difficult to put down. For a mere 336 page book, Kent packs a lot in without neglecting any element required for a great read.
I wasn't sure how well Kent would do with a later time period than she has written in before but she made the switch seamlessly, bringing the period to life just as well as she had in her previous novels.
My only complaint is that the very end seems a little too coincidental to be realistic. I suppose it also adds some meaning to the story though. I won’t say more than that for fear of spoilers.
I can’t wait for Kent’s next novel, she is definitely going on my favorite authors list.
Release date: September 24, 2013
It's the 19th century on the Gulf Coast, a time of opportunity and lawlessness. After escaping the Texas brothel where she'd been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate's buried treasure.
Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who--if anyone--will survive when their paths finally cross?
As Lucinda and Nate's stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.
Review:
Another excellently written novel from Kathleen Kent. I think what I really enjoy about her books is her character development and complex relationships between her characters. This one is faster paced than The Heretic’s Daughter and is accurately described as a “thriller” but neither the character development or historical setting suffer for it. There are several twists and turns in the plot and I found it very difficult to put down. For a mere 336 page book, Kent packs a lot in without neglecting any element required for a great read.
I wasn't sure how well Kent would do with a later time period than she has written in before but she made the switch seamlessly, bringing the period to life just as well as she had in her previous novels.
My only complaint is that the very end seems a little too coincidental to be realistic. I suppose it also adds some meaning to the story though. I won’t say more than that for fear of spoilers.
I can’t wait for Kent’s next novel, she is definitely going on my favorite authors list.
Thursday, July 18, 2013
Review: The Bones of Paris (Harris Stuyvesant #2) by Laurie R. King
ARC received from publisher via NetGalley.
Private detective and former FBI agent Harris Stuyvesant explores the darkest sides of the Surrealist movement in Paris as he searches for a woman he briefly met before she disappeared.
There is no denying that Laurie King is an excellent author or that this book is superbly written. However, I found the dark subject matter very disturbing, to the point where I was feeling depressed just by picking my Kindle up, knowing what was waiting for me. I like murder mysteries and I don’t mind if they are dark and violent as it can add realism (ironic, in a book about Surrealism) but this is particularly heavy and gritty. In a way, the fact that the book evoked such emotion in me is a testament to how well written it is but it just got a bit too much for me.
It was also a little too modern for my tastes, although I did appreciate the appearances of certain celebrities from this time period (Man Ray, Cole Porter, etc), I guess I prefer my historical novels to be set pre-WWI.
Lastly, I have to admit I did not realize that this was part of a series and not the first book. I hate reading series out of order and had I known that this book was a sequel, I honestly wouldn’t have requested an ARC. There is definitely a lot that made me feel out of the loop so I would not recommend it to someone who has not read the first book.
Private detective and former FBI agent Harris Stuyvesant explores the darkest sides of the Surrealist movement in Paris as he searches for a woman he briefly met before she disappeared.
There is no denying that Laurie King is an excellent author or that this book is superbly written. However, I found the dark subject matter very disturbing, to the point where I was feeling depressed just by picking my Kindle up, knowing what was waiting for me. I like murder mysteries and I don’t mind if they are dark and violent as it can add realism (ironic, in a book about Surrealism) but this is particularly heavy and gritty. In a way, the fact that the book evoked such emotion in me is a testament to how well written it is but it just got a bit too much for me.
It was also a little too modern for my tastes, although I did appreciate the appearances of certain celebrities from this time period (Man Ray, Cole Porter, etc), I guess I prefer my historical novels to be set pre-WWI.
Lastly, I have to admit I did not realize that this was part of a series and not the first book. I hate reading series out of order and had I known that this book was a sequel, I honestly wouldn’t have requested an ARC. There is definitely a lot that made me feel out of the loop so I would not recommend it to someone who has not read the first book.
Friday, July 12, 2013
Review: Queens Consort: England's Medieval Queens from Eleanor of Aquitaine to Elizabeth of York by Lisa Hilton
Received free review copy from publisher via NetGalley.
At first glance this looked similar to Helen Castor’s “She Wolves”. But Castor focuses more on the misogyny of the times, the individual powerful women who took control of their own destinies in spite of it, and what that meant for their reputations, whereas ‘Queens Consort’ is more about the role of queenship, both domestic and political, how each consort defined those roles and how it evolved. Castor also talked about Mary I and the lead up to her ascent after her brother Edward VI died when, for the first time, all the contenders for the throne were female. Hilton does not discuss female regnants, only the role of queen consort. There is some overlap in the factual biographies but the thesis and assessment are approached differently and Hilton studies several more queen consorts than Castor.
And for this reason, I was glad to see Hilton actually covered each and every consort from Matilda of Flanders to Elizabeth of York (the subtitle of the book is a little misleading in this regard), whether they are well known or not; you can’t explore the role of queenship by picking and choosing certain queens. The conclusion sums everything up by analyzing how Beowulf and Thomas Malroy’s Le Morte d'Arthur portray, and thus how the different time periods they were written in perceived queenship.
It’s very well written and it feels comprehensive despite fitting so many historical figures into one book so I expect this will make an excellent reference book.
At first glance this looked similar to Helen Castor’s “She Wolves”. But Castor focuses more on the misogyny of the times, the individual powerful women who took control of their own destinies in spite of it, and what that meant for their reputations, whereas ‘Queens Consort’ is more about the role of queenship, both domestic and political, how each consort defined those roles and how it evolved. Castor also talked about Mary I and the lead up to her ascent after her brother Edward VI died when, for the first time, all the contenders for the throne were female. Hilton does not discuss female regnants, only the role of queen consort. There is some overlap in the factual biographies but the thesis and assessment are approached differently and Hilton studies several more queen consorts than Castor.
And for this reason, I was glad to see Hilton actually covered each and every consort from Matilda of Flanders to Elizabeth of York (the subtitle of the book is a little misleading in this regard), whether they are well known or not; you can’t explore the role of queenship by picking and choosing certain queens. The conclusion sums everything up by analyzing how Beowulf and Thomas Malroy’s Le Morte d'Arthur portray, and thus how the different time periods they were written in perceived queenship.
It’s very well written and it feels comprehensive despite fitting so many historical figures into one book so I expect this will make an excellent reference book.
Sunday, June 16, 2013
Review: Letters from Skye by Jessica Brockmole
This is an endearing novel made up of fictional letters between the main characters, which I won in a giveaway. It’s a somewhat unique approach to tell a story entirely in letters but it tells a story of a long distance romance between a woman in Scotland and a man in Illinois during the early 20th century, around the time of WWI. It also consists of letters between the same woman and her daughter and others during WWII and through them pieces of the past are put together. I wasn’t sure how I’d feel about this approach but it wound up working really well, the scenes manage to come alive as the characters recall and reminisce to each other.
Due to the format of the storytelling, I didn’t quite get a sense of the historical setting. The book description says “full of captivating period detail” but I’m not sure I’d fully agree with that. Apart from talk about the world wars, the history didn’t really come alive for me.
But on the other hand, the relationship between the two main characters really struck a chord with me since my English husband and my American self met online, first communicating by email, then “instant messenger”, then phone, and then finally meeting in person. The letters reminded me of the emails between my husband and I - the feeling of knowing someone so well before you’ve even met them in person, feeling so connected to someone who is so far away, eagerly awaiting the next letter from them, the thrill of meeting them in person for the first time.
It was a little bit predictable but that’s okay because the end game isn’t what this book is about, it’s about the characters and their relationships and their journey, which was really well done.
Due to the format of the storytelling, I didn’t quite get a sense of the historical setting. The book description says “full of captivating period detail” but I’m not sure I’d fully agree with that. Apart from talk about the world wars, the history didn’t really come alive for me.
But on the other hand, the relationship between the two main characters really struck a chord with me since my English husband and my American self met online, first communicating by email, then “instant messenger”, then phone, and then finally meeting in person. The letters reminded me of the emails between my husband and I - the feeling of knowing someone so well before you’ve even met them in person, feeling so connected to someone who is so far away, eagerly awaiting the next letter from them, the thrill of meeting them in person for the first time.
It was a little bit predictable but that’s okay because the end game isn’t what this book is about, it’s about the characters and their relationships and their journey, which was really well done.
Saturday, June 1, 2013
Review: The Heretic's Daughter by Kathleen Kent
Perhaps it’s just because I recently read Germs, Genes, and Civilization but I was a little disappointed to see the author get her plagues mixed up. The book opens in 1690 with the onset of an illness of the main character’s brother. It’s named as smallpox but the author then goes on to describe what sounds more like the Bubonic plague (black death) than smallpox. The main character talks of how entire families would wake up healthy in the morning and all be dead by nightfall; this is a completely inaccurate description of smallpox. By 1690, smallpox was not that fatal - the mortality rate was only about 30% so the likelihood of an entire family perishing from it was small. Furthermore, smallpox does not kill this quickly, death usually occurs after about two weeks from onset. All of this IS an accurate description of the bubonic plague though. The only thing that didn’t sound like the black death was the mention of the pustules on the face. Sounds like the author either didn’t do her research well enough or got mixed up in the process of her research.
Granted, I did consider that it was being told from the point of view of a small child and perhaps the author intended it as the child who got confused with the stories of the bubonic plague and smallpox. But you’d think if that were the case, the narration would mention that later in life the girl realize her mix up so that readers don’t get confused.
(Btw, I’m not considering this a spoiler since it occurs in the opening chapter and is mentioned in the very first paragraph).
I was also a little perplexed to find a randomly thrown in passage written in present tense near the end when the rest of the book was in past tense. I’m guessing the author was trying to distinguish the moment but it felt more jarring and out of place to me.
So why am I giving it 4 stars? Because the book is otherwise very well written with excellent, complex characters and a great plot. Though it is slow paced and there’s a lot of internal dialogue, it’s not boring - it's very emotionally powerful.
Granted, I did consider that it was being told from the point of view of a small child and perhaps the author intended it as the child who got confused with the stories of the bubonic plague and smallpox. But you’d think if that were the case, the narration would mention that later in life the girl realize her mix up so that readers don’t get confused.
(Btw, I’m not considering this a spoiler since it occurs in the opening chapter and is mentioned in the very first paragraph).
I was also a little perplexed to find a randomly thrown in passage written in present tense near the end when the rest of the book was in past tense. I’m guessing the author was trying to distinguish the moment but it felt more jarring and out of place to me.
So why am I giving it 4 stars? Because the book is otherwise very well written with excellent, complex characters and a great plot. Though it is slow paced and there’s a lot of internal dialogue, it’s not boring - it's very emotionally powerful.
Wednesday, May 22, 2013
Review: Germs, Genes, & Civilization: How Epidemics Shaped Who We Are Today by David P. Clark
This is very informative book about the history and evolution of bacteria and viruses and how they have influenced the development of civilization, but I took issue with certain passages such as this:
Despite being full of useful information, passages like this unfortunately cause me to question the respectability and intent of the book as a whole. Fortunately, I did not pay anything for it - it was a Kindle freebie once upon a time.
“The great age of hygiene lasted from roughly 1850 to 1950. The front-line troops in the battle for cleanliness were mostly women. Since the 1950s, women have gradually abandoned the home and ventured forth to find external employment. Hygiene standards in the home have inevitably relaxed. Houses are cleaned less often, laundry is done less often, and both are done less thoroughly. Despite the outbreaks in fast-food restaurants that hit the headlines, most foodborne disease actually occurs in the home and goes unreported.”I felt like the author was trying to say that women who work full time are putting their families health and hygiene at risk. It was suggestive that a woman’s place is in the home, cooking and cleaning. There was no evidence or stats supplied to support this theory that homes today are less hygienic than 60+ years ago or that even if they are, food poisoning is a direct result of it. Indeed, the author does at least admit that most food-borne diseases go unreported but this means there is no evidence to support his ridiculous claims.
Despite being full of useful information, passages like this unfortunately cause me to question the respectability and intent of the book as a whole. Fortunately, I did not pay anything for it - it was a Kindle freebie once upon a time.
Subscribe to:
Posts (Atom)
















