US Release Date: May 12, 2015
The Civil War has ended, and Madge, Sadie, and Hemp have each come to Chicago in search of a new life.
Born with magical hands, Madge has the power to discern others’ suffering, but she cannot heal her own damaged heart. To mend herself and help those in need, she must return to Tennessee to face the women healers who rejected her as a child.
Sadie can commune with the dead, but until she makes peace with her father, she, too, cannot fully engage her gift.
Searching for his missing family, Hemp arrives in this northern city that shimmers with possibility. But redemption cannot be possible until he is reunited with those taken from him.
In the bitter aftermath of a terrible, bloody war, as a divided nation tries to come together once again, Madge, Sadie, and Hemp will be caught up in a desperate, unexpected battle for survival in a community desperate to lay the pain of the past to rest.
On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon two adversaries—the gallant Pen Davenport and the monstrous Belial—set out for the south Pacific island. Pen Davenport—a tortured criminal genius haunted by his past—is reluctantly accompanied by Fergins, the narrator of our story, who has lived a quiet life of bookselling before being whisked across the world on his friend’s final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest: to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever.
Yet Samoa holds many secrets of its own, and the duo’s bookish concerns clash with the island’s violent destiny. A colonial war is afoot between the British, American, and German powers; even as Stevenson himself quietly supports native revolutionaries from high in his mountain compound. Soon Pen and Fergins are embroiled in a conflict larger, perhaps, than literature itself. Illuminating the heroics of the bookaneers even while conjuring Stevenson himself to breathtaking life, Pearl’s The Last Bookaneer is a pageturning journey to the dark heart of a forgotten literary era.
In 1893, Sherlock Holmes and Henry James come to America together to solve the mystery of the 1885 death of Clover Adams, wife of the esteemed historian Henry Adams--member of the Adams family that has given the United States two Presidents. Clover's suicide appears to be more than it at first seemed; the suspected foul play may involve matters of national importance.
Holmes is currently on his Great Hiatus--his three-year absence after Reichenbach Falls during which time the people of London believe him to be deceased. Holmes has faked his own death because, through his powers of ratiocination, the great detective has come to the conclusion that he is a fictional character.
This leads to serious complications for James--for if his esteemed fellow investigator is merely a work of fiction, what does that make him? And what can the master storyteller do to fight against the sinister power -- possibly named Moriarty -- that may or may not be controlling them from the shadows?
Growing up on idyllic St. Thomas in the early 1800s, Rachel dreams of life in faraway Paris. Rachel’s mother, a pillar of their small refugee community of Jews who escaped the Inquisition, has never forgiven her daughter for being a difficult girl who refuses to live by the rules. Growing up, Rachel’s salvation is their maid Adelle’s belief in her strengths, and her deep, life-long friendship with Jestine, Adelle’s daughter. But Rachel’s life is not her own. She is married off to a widower with three children to save her father’s business. When her husband dies suddenly and his handsome, much younger nephew, Frédérick, arrives from France to settle the estate, Rachel seizes her own life story, beginning a defiant, passionate love affair that sparks a scandal that affects all of her family, including her favorite son, who will become one of the greatest artists of France.
Building on the triumphs of The Dovekeepers and The Museum of Extraordinary Things, set in a world of almost unimaginable beauty, The Marriage of Opposites showcases the beloved, bestselling Alice Hoffman at the height of her considerable powers. Once forgotten to history, the marriage of Rachel and Frédérick is a story that is as unforgettable as it is remarkable.
Strong-minded and ambitious, Madeleine Karno is eager to shatter the constraints of her provincial French upbringing. She wants to become a pathologist like her father, whose assistant she is, but this is 1894, and autopsies are considered unseemly and ungodly, even when performed by a man—hence his odious nickname, Doctor Death. That a young woman should wish to spend her time dissecting corpses is too scandalous for words.
Thus, when seventeen-year-old Cecile Montaine is found dead in the snowy streets of Varbourg, her family will not permit a full post-mortem autopsy, and Madeleine and her father are left with a single mysterious clue: in the dead girl’s nostrils they find a type of parasite normally seen only in dogs. Soon after, the priest who held vigil by the dead girl’s corpse is brutally murdered. The thread that connects these two events is a tangled one, and as the death toll mounts, Madeleine must seek knowledge in odd places: behind convent walls, in secret diaries, and in the yellow stare of an aging wolf.
UK Release Date: May 7, 2015
Escorting 'nine days queen' Lady Jane Grey across the Tower of London from throne room into imprisonment is Elizabeth Tilney, who surprised even herself by volunteering for the job. All Elizabeth knows is she's keen to be away from home, she could do with some breathing space. And anyway, it won't be for long: everyone knows Jane will go free as soon as the victorious new queen is crowned. Which is a good thing because the two sixteen-year-olds, cooped up together in a room in the Gentleman Gaoler's house, couldn't be less compatible. Protestant Jane is an icily self-composed idealist, and catholic Elizabeth is... well, anything but.
They are united though by their disdain for the seventeen-year-old to whom Jane has recently been married off: petulant, noisily-aggrieved Guildford Dudley, held prisoner in a neighbouring tower and keen to pursue his perogative of a daily walk with his wife.
As Jane's captivity extends into the increasingly turbulent last months of 1553, the two girls learn to live with each other, but Elizabeth finds herself drawn into the difficult relationship between the newlyweds. And when, at the turn of the year, events take an unexpected and dangerous direction, her newfound loyalties are put to the test.