Showing posts with label 14th century. Show all posts
Showing posts with label 14th century. Show all posts
Friday, December 22, 2017
Review: The Sword Decides by Marjorie Bowen
This was the only novel I could find based on Joanna I of Naples, which still surprises me because she lived such an eventful life. And extra bonus, it was free because it was written in 1908. The writing was good, especially given the time period it was written in (sometimes older books have a style I don't love), but unfortunately, I just couldn't connect with any of the characters, none of them seemed like likable protagonists. It's a shame - I'd love to see a well done dramatized account of Joanna's life.
Tuesday, November 12, 2013
Review: Sisters of the Bruce, 1292-1314 by J.M. Harvey
Received free review copy from publisher via NetGalley.
Robert the Bruce was King of Scots and a key figure in the Wars of Scottish Independence against the English and as such, he plays a major role in several novels. This book attracted my attention because it’s the first novel I’ve seen devoted to the women of the Bruce family, initially the two eldest sisters of Robert, Isabel and Christina - or Isa and Kirsty as they are called in this novel. A large portion of it is told through letters between the two of them (and occasionally Robert the Bruce himself), and later letters include Matilda, so there is a lot more “telling” than “showing”, not my preferred method of storytelling. When events are described in the letters, however detailed they may be, they still felt as though they were merely glimpses of what should have been so much more, and I kept wishing I could read a scene of the event taking place, hear the dialogue, etc. It meant I never really formed an emotional attachment to what should have been important characters in the sisters lives.
It’s obviously very well researched and portrays the medieval world accurately. However, even once the letters cease being the primary storytelling method, the book continues to tell the story often more as like an overview of events. For example, there is rarely any dialogue, which I found very strange. Though there was internal dialogue, it was too little too late. I couldn’t get into it and spent the second half of the book skimming it. There could have been a great story here and I really wanted to like it but the method of storytelling let it down.
Robert the Bruce was King of Scots and a key figure in the Wars of Scottish Independence against the English and as such, he plays a major role in several novels. This book attracted my attention because it’s the first novel I’ve seen devoted to the women of the Bruce family, initially the two eldest sisters of Robert, Isabel and Christina - or Isa and Kirsty as they are called in this novel. A large portion of it is told through letters between the two of them (and occasionally Robert the Bruce himself), and later letters include Matilda, so there is a lot more “telling” than “showing”, not my preferred method of storytelling. When events are described in the letters, however detailed they may be, they still felt as though they were merely glimpses of what should have been so much more, and I kept wishing I could read a scene of the event taking place, hear the dialogue, etc. It meant I never really formed an emotional attachment to what should have been important characters in the sisters lives.
It’s obviously very well researched and portrays the medieval world accurately. However, even once the letters cease being the primary storytelling method, the book continues to tell the story often more as like an overview of events. For example, there is rarely any dialogue, which I found very strange. Though there was internal dialogue, it was too little too late. I couldn’t get into it and spent the second half of the book skimming it. There could have been a great story here and I really wanted to like it but the method of storytelling let it down.
Tuesday, August 13, 2013
Review: The Iron King (The Accursed Kings #1) by Maurice Druon
A novel of Philip the Fair of France and the scandalous and violence of his court, first book in The Accursed Kings series about the Capets.
“If you like A Song of Ice and Fire, you will love The Accursed Kings” - George R.R. Martin.
You can imagine my excitement. A Foreward written by one of my favorite authors explaining how this series was one of his inspirations for possibly my favorite series ever.
I don’t know if it’s because this is a translation or if it’s because it was written nearly 60 years ago, or perhaps both, but I found the writing style and dialogue very stiff. The narrative even reads more like a history book at times - very matter-of-fact. I think this was an even bigger let down because of the hype around it, not only revered by readers but recommended by George R.R. Martin. Most of the criticism seems to be from GRRM fans who, like me, picked it up on the back of his recommendation, but it’s important to note that it’s the plot content, not the writing style, which is “Game of Thrones-like”. Don’t expect this to have Martin’s narrative. However, I also read a lot of historical fiction about royalty so this should have been right up my alley even if Martin had never spoken a word about it so it’s not just the comparison to ASOIAF which is causing this to be a disappointment.
I did see some of the influence it may have had on Martin's series though, mostly in the characters, so that is saying something. Isabella reminded me a little of Cersei sometimes, though not nearly as evil. But if I had to recommend something similar to ASOIAF, I'd probably go with any of Bernard Cornwell's medieval based novels/series. Though his cast of characters is not as extensive, his portrayal of the medieval world is very similar, as is his sense of humor. Apparently the two authors are good friends as well.
There is a great story here, if you’re willing to get passed the methodical style of the narrative and dialogue. Those who are used to Jean Plaidy’s writing style, for example, might get on board with this easily (evidence that it has something to do with being written in the 1950s) - and I have been able to enjoy Plaidy’s work so I feel a little hypocritical given this a lower rating. But after my anticipation was so high, this was a greater let down.
I would have liked to see what a more modern translator could do with this, since I’m pretty sure it’s just been reissued as it was at the time of the last release and not re-translated.
“If you like A Song of Ice and Fire, you will love The Accursed Kings” - George R.R. Martin.
You can imagine my excitement. A Foreward written by one of my favorite authors explaining how this series was one of his inspirations for possibly my favorite series ever.
I don’t know if it’s because this is a translation or if it’s because it was written nearly 60 years ago, or perhaps both, but I found the writing style and dialogue very stiff. The narrative even reads more like a history book at times - very matter-of-fact. I think this was an even bigger let down because of the hype around it, not only revered by readers but recommended by George R.R. Martin. Most of the criticism seems to be from GRRM fans who, like me, picked it up on the back of his recommendation, but it’s important to note that it’s the plot content, not the writing style, which is “Game of Thrones-like”. Don’t expect this to have Martin’s narrative. However, I also read a lot of historical fiction about royalty so this should have been right up my alley even if Martin had never spoken a word about it so it’s not just the comparison to ASOIAF which is causing this to be a disappointment.
I did see some of the influence it may have had on Martin's series though, mostly in the characters, so that is saying something. Isabella reminded me a little of Cersei sometimes, though not nearly as evil. But if I had to recommend something similar to ASOIAF, I'd probably go with any of Bernard Cornwell's medieval based novels/series. Though his cast of characters is not as extensive, his portrayal of the medieval world is very similar, as is his sense of humor. Apparently the two authors are good friends as well.
There is a great story here, if you’re willing to get passed the methodical style of the narrative and dialogue. Those who are used to Jean Plaidy’s writing style, for example, might get on board with this easily (evidence that it has something to do with being written in the 1950s) - and I have been able to enjoy Plaidy’s work so I feel a little hypocritical given this a lower rating. But after my anticipation was so high, this was a greater let down.
I would have liked to see what a more modern translator could do with this, since I’m pretty sure it’s just been reissued as it was at the time of the last release and not re-translated.
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